It's not even Spring yet and I'm already a busy bee!

There's snow all over New York, showing that winter is reigning supreme, but my heart and spirit and schedules are more akin to Spring Fever! I've been getting so many calls for audition appointments and workshops for future productions, and it's great!

Yesterday, I recorded the lead role of "Lilly" in a demo for the new children's musical, Lilly's Big Day, and what a treat that was! The music was AWESOME and made me think of fabulous composers like Jule Styne, Irving Berlin and Stephen Sondheim. Just joyous, quality stuff! It was a delight to sing, and it was a thrill to dive into the role of a 4 year old mouse!

A producer once told me I had a great voice for cartoons, and I tell you, after yesterday's experience, I really do want to do more in the voice-over realm. SO MUCH FUN!

The neat thing about doing a recording is that you get to hear the "playback." The sound engineer plays back what you just recorded so you can assess if you need another take/recording, and so it was really neat to just hear the scenes unfold after performing them. It reminded me of voice-over work I'd done for a short film a while back: nothing done in sequence, so the scenes were all crystal clear on their own, but once it was all put together for the final product, wow! Magic!

Our music producer for Lilly's Big Day was Josh Margolis, and he was just great! Carl Danielsen, an actor of great warmth, talent and humor, composed the music and played the teacher, Mr. Slinger. The clever script, adapted from Kevin Henke's book, and the lyrics were written by the lovely Selda Sahin. She also voiced one of the students. Emily Whyte played my mom. Adam Shonkwiler and Emily/Ginger rounded out the cast, and everyone was so sweet and lovely and had such unique voices. It was a thrill to do this recording with them, and I look forward to our further adventures.

Reflections on Rock
or The Evolution of Laura Daniel

I just finished VP Boyle's Pop/Rock Workshop, and I feel absolutely reborn! The homework was awesome: listen to rock, look at rockstar style, and play play play!

I am reminded of the film, School of Rock, but this class was for musical theatre performers who needed to expand their skillset for the current explosion of pop rock musicals. It was a BLAST! I watched all of my classmates go from straight-laced musical artists to sexy soul-singers, and it was a pleasure to bloom with them.

I think the most startling realization of all was that, like Dorothy from The Wizard of Oz, I had the power all along. :)

I was reminded so fiercely of my early musical career where I played Dorothy in The Wiz. Unusual casting, I know, but I became known as The White Girl with Soul. And later when I was cast as Audrey in Little Shop of Horrors, people were astounded at the rockin roar that would come out of me.

Even recently with The Singing Nun I found myself serenading the audience with 60s pop in the midst of a dark musical comedy.

So I'm bringing "Sexy Back" to myself, and I'm having so much fun! The cherry on the cake is that my auditions have become this free-spirited raucous romp! At last Friday's RENT audition, the creative team were generous with praise and excitement about how much they liked what I did. So if people are having fun with me, I know I'm on the right path. Rock on!

What a wonderful world

It has been such an interesting month! February is known for being one of the coldest months of the year, but I have felt such a great deal of warmth and friendship and creativity.

I started the New Year with VP Boyle's Pop Rock Workshop. One of our first assignments was to create a journal and have fun decorating it. So I brought out my old paintsets and started crafting! I tell you, I felt like I was 5 years old! It was such a joyful experience, and every time I've taken this notebook out to write in it, I've felt fabulously creative!

Ironically following this positive pulse, a lot of cool projects have been coming my way. A friend asked if I'd sing the lead role in a demo for a new musical, and a producer I met from the NYMF Awards Gala has asked me to workshop another new musical.

Last night, I performed in Astoria's Playmaking Program, and the producer Taryn Drongowski already asked if I could take part in the next series. It was so much fun! The plays were written by Horace Greeley middle school students, and various actors and directors with a wealth of Broadway, Off Broadway and regional theatre experience helped bring the plays to life.

The young writers were brought onstage and sat in a director's chair while we performed their plays. You had to see the smiles on their faces! All of the kids were simply beaming and everyone had fun! There was lots of laughter and such a sense of goodwill and kindness. It was a pleasure to be a part of it.

4 auditions in one day! Gotta love it!

I remember when I first moved to the city, and I'd be in line, waiting all day to be seen for one audition, and I'd hear other actors talking about all the auditions they had lined up for the day, and I'd think, How can they do all that in one day?

Well, I now relish the opportunity to go from one audition to another.

On Monday morning, I started at the Actors Equity building and sang for Musicals Tonight. Then I changed into a stunning red dress and boogied down to the Hilton Theatre to audition for "Young Frankenstein." I jumped back into my uggs (it was 10 degrees, remember) and I trekked down to another studio to audition for "Xanadu." I've been taking a Pop/Rock workshop, so I was prepped with fun material for this upcoming Broadway show. Soon it was after 1 PM, and I had an appointment in Chelsea for the new rock version of "Carmen," so I hopped the subway and cruised down to the studios. I did another quick change into jeans and a sexy black top, and I was ready to ROCK! My audition ended at 3 with the creative team applauding for me above their heads like it was a rock concert. That felt GREAT!

And today I hit two auditions: one for the upcoming musical of Shrek and the other was a dramatic audition for The Women's Project. And I received great response from both! I feel so much freer in my auditions now, I feel good about my work, and I sense that I'm making an impact. People are really responding to my work and it feels fabulous!

And I used to wonder how it was done. :)

You know you’ve made some progress when people start asking you, “How did you do it?”

I have been the lucky recipient of this question a few times this week and it’s been a bit of a surprise. I guess it shouldn’t be, because I’m always at work on my craft, always thinking, “What else can I do to make my work better?” Whether it’s in a song or a monologue or my physical workout (since my body is my instrument I have to keep it in tune). I am often reminded that as much as I look ahead, I also need to savor the moment as well as give myself kudos for the leaps I’ve made.

This week I was at a birthday party for a dear friend who has ties to much of the Broadway world, and the party made me think very much of the NYMF gala, because the room was full of established Broadway people (from stars to directors and casting directors) as well as up-and-comers, and it was so interesting to be in the midst of all that.

A lot of people were buzzing about the work I’d done on “The Tragic and Horrible Life of the Singing Nun,” and that was really cool. It was so great to meet new peeps, reconnect with old acting buddies and to share stories.

The main theme of the evening was the celebration of growth. Very fitting for a birthday party.

And as I go through my day, juggling auditions and life and work and play, I realize how fortunate I am. I have worked hard to get here and I have much farther to go, but it’s such a cool thing when people ask “How did you get to where you are?” It makes me proud of my hard work, knowing that the seeds I’ve planted have taken root and are growing.

Going Blog-Wild!

Blame it on my friend Tina. She started this. And I am SO GLAD she did! When I first heard about blogging a few years ago, I was reluctant to post "my stuff" online, but over time I've come to realize how utterly cool, inspiring, and helpful blogs can be.

Check this out: Emily Whyte, a friend of mine from VP Boyle's Musical Theatre Forum started The Ulitmate Theatre Homepage with some of her buds, and it's a great site! Lots of helpful links for NY actors: http://www.theatremafia.com/ultimatetheatrehomepage.htm

And the thing that I love most? Their BLOG! It goes hand in hand with their site very nicely and gives more in-depth, hands-on, been-there-done-that experience which is GREAT! I wish it had been around when I first came to NY.

Tina also stumbled upon this blog which she sent me, and I LOVE the little glimpse it gives into the life of a Hollywood screenwriter: http://juliegoestohollywood.blogspot.com/
Blog on, Julie!

And of course, there's Tina's blog, which I am always inspired by: http://theessentialherbal.blogspot.com/

It gives this New Yorker a lovely glimpse into the PA countryside, and I am always warmed by Tina's humor as well as inspired by her knowledge. Rock on, soul sister!

So put on your blog-shoes and jump into the web. It's awfully cool!

"I Get By With a Little Help From My Friends."

I feel like Ringo today, though, gods help me, my brother would cringe with that comment. He is a consummate drummer, and while he does give props to Ringo for some interesting playing, ask Sean about any Beatles album and he can list off who the actual studio drummer was. That boy knows his craft!

Which brings me to today's blog: knowing my craft and knowing that I owe so much to my friends and family who have been there for/with me on this wild acting ride. There's my Cali family, whom I just saw a few weeks ago, and boy do I miss them! And then there's my East Coast crew:

There are my friends, Carl and Michael and Ataman. It's said that in NY your friends become your family and this is especially true of my three amigos. :)

There's also my friend, Tina, who is an entrepreneur in the herb world. She started her own magazine over 5 years ago, The Essential Herbal, and I have learned so much from her! A business is a business, and show business is really no different from any other. We all have to perform in some way, shape or form, and we all need to invest and research and challenge ourselves to grow so that our products and crafts grow.

And I would be nowhere without my guy, Rob. He's my best friend, the love of my life, and a true partner in every sense of the word. Since I met him as a fellow actor, he certainly knows the ups and downs of this ride, and he's been with me every step of the way. He left the biz and went into graphic design and marketing, and LOVES it! The cool thing is that I've learned from his lessons as a bigtime marketing director, and it's helped me to see my job as an actor in a much clearer way.

I love that! I love that we all can learn from each other as we share this wild ride together. It makes it that much more fun!

I just got back from CA a few weeks ago and a friend of mine was asking me how the trip went. Well, it was lovely. The weather was perfect! Sunny Southern CA can be so glorious at times! And I had a great visit with my family. It's always so cool, knowing that my acting career will usually bounce me around between the two coasts where I have so much love waiting for me. And that got me to thinking about all the love and support I have in my life. I have people cheering me on each day as I work towards my goals, and I'm cheering for them right back!

In CA, there's my brother, Sean, who is an incredible drummer. He had broken his hand before Christmas, but instead of that deterring his career, everyone was comparing him to the one armed drummer from Def Leopard, and Sean's students (he teaches drums while he gigs) were in awe of his ability to play one-handed. "You're amazing!" one student said, and indeed, she hit the nail on the head.

My little brother amazes and inspires me. He really makes magic happen with his drums and I can see as well as hear his artistry when he plays. Truly incredible.

I also saw my parents. My Dad and his wife picked me up in San Diego and we had the yummy treat of spending the day at the beach. What a way to start the New Year!



I also had a lovely visit with my Mom and her friend Kathy. They had both come to NY to see me in "The Tragic and Horrible Life of the Singing Nun," and it was great to see them again, to share in laughter and love, to talk over happy memories and to get excited about future possibilities.

It's neat to see my family growing as individuals and to feel the love when we all come together. We all learn from each other and I feel like I make so many discoveries every time I go West. :)

Happy New Year!

One of my dear friends, Tina from The Essential Herbal, and I tend to celebrate the New Year by saying, "This is our year," and indeed this has become a wonderful affirmation.

2006 was full of leaps and bounds! It started with two short films: Laundry, which put my hair through the Bride of Frankenstein test, and Divine Intervention, which allowed me to play the Goddess Aphrodite (post-op plastic surgery). Both were fun films that gave me the opportunity to work with great people.

And speaking of... I had the pleasure of working with the fabulous VP Boyle in his Musical Theatre Forum. What an incredible workshop! I cannot recommend it or VP enough!

I was inspired to write my own one woman show, based on that journey, and the result was Love in 35 Minutes, an homage to the search for love via musical theatre with everything from Irving Berlin to Charlie Smalls. It was a successful show and I played to sold-out audiences Off Off Broadway.

Zooming off from Love in 35, I landed the title role of Sister Smile in the New York Musical Theatre Festival's production of The Tragic and Horrible Life of the Singing Nun. It was a dream-come-true, working with some of the best people in the industry, and I was honored with NYMF's Outstanding Individual Performance Award of Excellence.

Now with 2007 kicking off, I have some fun projects cookin. I started with a callback for a leading role in the short film, "The Winter Father," and I'll be bouncing into VP's Pop/Rock workshop this Friday. I'm really looking forward to a bright and bubbly New Year.

Two callbacks in two days!

I'm beginning to think these things come in twos for me, because on the same day I was called back for "The Tragic and Horrible Life of the Singing Nun," I was also called back for "Urinetown"!

And now today I was called in for the new musical, "Tock Tick," and yesterday I was called back for one of the leads in the short film, "The Winter Father." Both pieces are richly diverse, and I am excited to get the chance to be seen for them again. :)

With a new year on the horizon, I am psyched to be launching my new and improved website: http://www.lauradaniel.net

My graphic designer did a great job, and we're still making additions. I've already had a few requests for a clip of "Suddenly Seymour" from my run as Audrey in "Little Shop of Horrors." And I have scenes to incorporate from the award-winning short film, "Sincerely Yours."

In the meantime, I've been keeping busy with auditions and have been receiving great response. I got lots of laughs from the folks at Alchemy Theatre, Gotham Stage Company, and Christian Parker of The Atlantic Theatre Company while auditioning for their upcoming comedies. On the musical front I made a strong impression with my rendition of "Be A Lion" for the new musical "Frankenstein," and they asked me to sing more.

It's great to see people physically sit up and take notice of my work. Each audition is an adventure!

The New York Musical Theatre Festival Gala - Part Two

After checking in with the gracious NYMF staff, we left the lobby and entered the theatre itself, which had been transformed into a gorgeous dining setting. Round tables covered with linen and fine place settings... everything just the picture of beauty and elegance!

We took our seats and I found my dinner mates to be absolutely delightful!

On my left were Charlie and Gary Maffei of Maffei Productions, who quickly took me under their wings. Charlie kept me laughing, because he kept comparing my picture in the program as The Singing Nun to my glitzed-up gala self. "What a transformation!" he said.

Charlie introduced me to Jeff Hiller, who was also receiving The Outstanding Individual Performance Award for his work in the musical The Children. They all were the epitome of delight, and I hope our paths cross again soon.

On my right was director Elizabeth Lucas, who was simply lovely. We discovered a mutual admiration for Janis Joplin and had plenty to chat about.

I also met the playwright and producer, JB Edwards, who was a fascinating fellow. We discussed our love for funny screen sirens of the 40s.

Once everyone was settled, Kris Stewart, the executive director of the New York Musical Theatre Festival, took to the stage to welcome everyone. Originally from Australia, Kris started NYMF three years ago and has been making great strides in the NY theatre industry. He was quite charming, and I was thrilled to meet him and his executive producer, Isaac Hurwitz (pictured below with Anthony Rapp), when they later came by our table.

After supper, I went back into the lobby to gather with the other award winners as we were guided backstage for the presentation. Anthony Rapp from RENT fame was there and I was so delighted that he would be introducing us onstage. What a lovely person!

There were a bunch of winners, some of whom were established Broadway folks, while some of us are making our way to Broadway, and there was a wonderful sense of camaraderie.

The awards show was hosted by Bob Martin from The Drowsy Chaperone, and Sutton Foster and Beth Leavel performed a song as introduction. There were also performances by the cast of [title of show] and I had to laugh because I had auditioned for the replacement cast for that show, but obviously they're still going strong.

Speaking of auditions, Franis Kelly, producer of Smoking Bloomburg, was also backstage to receive the "Best of the Fest" audience prize for that musical (Singing Nun came in 2nd), and he congratulated me, saying how he remembered me in the initial NYMF auditions.

I also received lovely kudos from Scott Brown, who won Excellence in Musical Theatre Writing (Book) for Gutenberg the Musical. He had said that he had seen The Singing Nun, which was amazing considering his busy schedule, and he said how much he enjoyed the humor, darkness and the lovely "heart" of our show. That meant a lot to me.

Once I was called onstage to receive the award for Outstanding Individual Performance, it all flew by so fast. Anthony Rapp announced all of the winners, and we received wondrous applause. Then we returned to our seats to enjoy the rest of the show.

A beautiful ballet from Common Grounds was showcased and was gorgeous! There was also a freestyle rap tribute to Kevin McCollum by In the Heights writer and star Lin-Manual Miranda, who performed with co-Freestyle Love Supreme member Chris Sullivan (Shockwave). They were phenomenal! And both pieces impressed upon me the incredible diversity of musical theatre, that any type of music can be utilized for this expressive forum.

The final performance was a special version of the song "Show Off" featuring Brian D'Arcy James (as Kevin McCollum) and the cast of The Drowsy Chaperone. It was hysterical! And then the guest of honor, Broadway producer Kevin McCollum took the stage and had some "notes" for all involved. He started his speech as a funny tongue-in-cheek sort of thing that soon blossomed into a heartfelt thanks for every artist that "shows up" to make theatre happen. That was truly inspirational.

Then the evening came to a close and we all made our way to the lobby again. I was greeted and congratulated by so many wonderful people. It was heart-warming! And my Singing Nun producer George DeMarco and composer/lyricist Andy Monroe were also there with hugs and congratulations. We bid our good-byes to Kris Stewart (pictured above with Kevin McCollum and wife Lynette) and I thanked the NYMF team, but the accolades kept coming my way until I had my coat and left the theatre.

It all was a dream-come-true!

My first awards gala was last Sunday night and I'm still on Cloud 9!

The New York Musical Theatre Festival hosted the event, and it was their "first" too! :) Isaac Hurwitz, the Executive Producer for NYMF, called me a few weeks prior to give me the good news that I would be receiving NYMF's Award of Excellence for Outstanding Individual Performance for my role as the title character in The Tragic and Horrible Life of the Singing Nun. So I had a few weeks to prepare.

I consulted Singing Nun costume designer Bobby Pearce and he said, "You can't go wrong with a classic black dress." My musical theatre coach, VP Boyle, was also instrumental in pointing me in the right direction.

I wanted to find a dress that embodied my own sense of style, so when I saw this little black and white satin number, I just knew it was for me! It fit on so many levels and made me feel fabulous! Also it went beautifully with my favorite pair of shoes: classic black Prada heels.

Jewelry was next, but since the dress was so spectacular, I didn’t want to go too crazy, so I was thrilled when I found a pair of pearly earrings that were like dazzling cascades of light. Just the perfect touch!

I also had a black velvet, satin-trimmed purse and coat that fit neatly with the whole ensemble, and I marveled at how getting dressed for a special evening can be an event unto itself!

The day of the gala was misty and gray, wrapping the city in a dreamlike quliaty. I hit the gym in the morning and then enjoyed the afternoon with my boyfriend. When evening came, I took my time getting ready and enjoyed each moment. A girlfriend who moonlights as a makeup artist helped me with my makeup, and I really felt like Cinderella getting ready for the ball.

When I left the apartment to hail a cab, the taxi that stopped for me was one of the newer yellow-orange van-cabs, so I couldn't help but giggle as I stepped into my own pumpkin-like coach.

I zoomed through the streets of Manhattan and arrived at the beautiful Hudson Theatre on 44th Street. When I arrived, the lobby was teaming with people dressed to the nines. It was the meet-and-greet cocktail hour, so everyone was chatting loudly and catching up with each other. I just joined in the fun and introduced myself to everyone I met!

To be continued..... :)

The New York Musical Theatre Awards Gala is this Sunday night, and I am so excited!!!

It is just incredible, knowing that I am going to be meeting some of the best and brightest people who make theatre happen on Broadway. Sutton Foster, Beth Leavel and Bob Martin from "The Drowsy Chaperone" will be there. And Broadway producer Kevin McCollum is the guest of honor.

To top it all off, I will be receiving the NYMF Award of Excellence for Outstanding Individual Performance for my role in "The Tragic and Horrible Life of the Singing Nun." I am just amazed and incredibly honored.

The show received photo coverage on BroadwayWorld.com and there were some lovely reviews.

This whole experience feels like a dream come true, and it is! It is such a joyous time!

I've been running around Manhattan, consulting friends on what to wear for the gala, and the support and encouragement have been wonderful! I feel so blessed to have this extended family of friends watching out for me, sharing this wild ride with me.

It is only the beginning. :)

What an incredible Autumn!

I just finished playing the title character in the new musical, "The Tragic and Horrible Life of the Singing Nun" (shown left). It was an exhilirating experience, performing in a brand new musical, and it was such an honor to bring this real-life woman to the stage.

In researching the real Sister Smile, I fell in love with her and her drive to make music and find a higher truth of spirituality. She really felt a strong connection to the divine, but she was also confused by drugs, alcohol and her own lesbian yearnings. Truly an incredible character to explore!

Of course, our musical "take" on her life was narrated by a drag-queen (wonderfully played by Stephen Michael Rondel)who imagined he had adventured with the Singing Nun, so there was some obvious poetic license. But so much of her real story was in there, and it was wonderful to have people respond to our tale.

The music was a blast, and it was thrilling to sing it! Andy Monroe composed and wrote most of the lyrics, along with Blair Fell, who wrote the script. The whole process of working on a brand new musical was incredibly rewarding, and we were guided along by one of the most brilliant directors I have ever encoutered, Michael Schiralli.

The cast was an absolute dream and the crew was exceptional! Everyone put their "all" into the project, and audiences really seemed to respond to this heartfelt endeavour. I heard so many good things from friends, family, and complete strangers who felt such a connection to the show that they had to tell me about it. That was truly remarkable.

The cherry on the cake? I'm receiving The New York Musical Theatre Festival's Award of Excellence for Outstanding Individual Performance.

NYMF is having their first-ever gala on November 12, and they will be presenting awards to selected artists who performed in the festival. They are also honoring Kevin McCollum, the Broadway producer behind such hits as "RENT," "Avenue Q," and "The Drowsy Chaperone."

I am on Cloud 9! :)

August was awesome!

I was called back twice for Urinetown at the Gateway Playhouse, I had a callback for the Broadway production of Hairspray, and I was offered the title role in the brand new musical, "The Tragic and Horrible Life of the Singing Nun."

The minute I read the script and began to research the real Sister Smile, I was hooked! It is an incredible story of the meteoric rise to fame of the Belgian nun who wrote the song, "Dominique." Sadly, her life after that one hit was quite tragic as she became addicted to pills and alcohol, hence the "tragedy" of the title. But there is plenty of "heart" here also, as this is a woman who struggled to find her "truth" and also tried to come to grips with her love for a woman.

The tale is told by a drag queen nun named Coco Callmeishmael, so right away you know this show is going to be out of this world. But that's the charm of it: outrageous one moment, heartfelt the next.

The brilliant comedy writer Blair Fell first wrote the play about the Singing Nun almost 10 years ago. Producers George Demarco and David Gerard thought it would make a fantastic musical. And right they are!

Composer/lyricist Andy Monroe has a gift for creating music that delights the heart and the mind and takes you on an amazing journey. The opening number is brilliantly catchy and driven, and there's a pop love ballad in the middle of the show that will haunt you.

Director Michael Schiralli is an absolute gift! He has worked with some of the greatest performers of our time, and it is miraculous to be working with him. He understands the comedy and the tragedy of the piece, and is the perfect guide on this musical ride.

The cast is exceptional! The crew is so talented! Music Director Robby Stamper is an absolute guiding light, and our stage manager, Mel McCue, is so organized, all while remaining professional, compassionate, and funny.

I feel like I've won the lotto!

Playing Sister Smile is especially rewarding. Getting to sing all this new music as well as the famous "Dominque".... There's something so magical about it. And the character is an actor's dream, providing the opportunity to explore broad humor and absolute heartbreak in the same show. Truly a magnificent experience.

Tickets are selling fast - we're already sold out for opening and closing night at St. Clements Theatre on 46th Street. But the real hope is that this show - like so many others at the NYMF will be picked up for a long-term run Off Broadway or even Broadway. It's a good show - I'm so in love with it - and I think everyone will be moved by it too. I certainly hope so. :)

Neat Bleep: http://www.whatthebleep.com/herald15/filmmakers.shtml

Yes, I'm a "what the Bleep" fan. LOVE that movie and what it does for the consciousness and creative and subconsciousness!

Anyway, the recent article from "The Bleeping Herald" asked the question, "Can we be the change we want to see (in the world) without doing anything?" It's a big being/nothingness vs. doing kind of thing, and that trips me out because that has been on my mind this week.

And my answer is that we ARE the answer. Whether we are meditating, "being," existing, we DO, ACT, THINK and MOVE. We be and we do and we cannot help but be/do both. :)

I believe we are here to help each other, to be with each other, to interact with each other and progress together. Perhaps it's just the thought of the day, but I can't help but think of the people who have inspired me and who hopefully I have inspired as well to live and love and be as fully alive and aware as we all can be. :)

"Theater humanizes; all art humanizes. It takes us away from the merely logical and rational... and can reach people in a different and deeper place than reading a news article or listening to a speech: there is an emotional aspect that for some people can be more long-lasting and motivating. " - Cindy and Craig Corrie

http://www.commondreams.org/views05/1008-21.htm

I had the privilege of being able to audition today for "My Name is Rachel Corrie," a one woman show about a young American woman who went to Palestine to protest for peace and was horrifically killed by a bulldozer. If this doesn't put things into perspective, nothing will:

http://www.criticalconcern.com/rachelcorrie.html

I hope everyone will read her emails, hear her voice. I did and realized that in researching this woman and her history for a play, I became INFORMED. I learned about the horrors going on in this world and a quest for peace that ended in tragedy. But the quest goes on... My world was broadened because of "finding" Rachel Corrie, and I am grateful for that.

"Many people want their voices to be heard, and I think we need to use some of our privilege as internationals to get those voices heard directly in the US, rather than through the filter of well-meaning internationals such as myself. I am just beginning to learn, from what I expect to be a very intense tutelage, about the ability of people to organize against all odds, and to resist against all odds." - Rachel Corrie

I can't believe I never saw the power of theatre to TEACH and educate the masses. It's an awesome discovery and it solidifies my desire to do quality work in my art.

And also... to find a way to send light and love into the darkest of places. There must be hope. Always.

Laura

Last week was a whirlwind! I had the pleasure of performing my own one woman musical, "Love in 35 Minutes" on Monday night at The Aurora and on Friday night at Stage Left Studio (www.stageleftstudio.com). It all came about because I was supposed to do a group showcase, but everyone backed out right at the halfway point. And I thought, "I have invested all of this time and money and effort into this. I'm not going to give up!" So I didn't! I went through about 20 probable songs, cut it down to 10 and then wrote a show around those 10 songs. It was pretty easy, considering almost every song dealt with the pursuit of love, the celebration of love, the loss of love, and the resolution of love. It all fell into place.

I had some great helpers along the way. My graphic designer boyfriend created the postcard. :)
Carl Einbeck, one of my very best friends, who is also a brilliant writer and actor, always wanted to try his hand at directing, so he came on board and did a fabulous job at directing the show. Chas Elliott, voice coach and opera aficionado, took on the role of music director and pianist and played beautifully.

Both nights and both venues were packed with full houses, and the audiences seemed to enjoy the show. Lots of laughs and joyous comments.

I had so much love and support and encouragement just getting to where I needed to be, and once I performed the piece, I received tons of fabulous feedback, mostly with people asking, "When are you going to do it again?"

It felt great!