
The thing that blew me away about HAIR was the raw, naked vulnerability of the piece. I had heard about the famous nude scene, but was completely unprepared for how emotional it was. Just powerful stuff. And Let the Sun Shine In? I always thought it was a joyous revel, never realizing what an incredible anthem the song is. It was more like a plea to open your mind. Really beautiful stuff.

There was the invite to the NYMF gala to receive my award for The Tragic and Horrible Life of the Singing Nun. There were postcards and playbills from Johnny on a Spot, Lucky Stiff, Hell’s Belles and Kaboom. Wonderful cards of congratulations from friends, fellow artists and family. And it just gave me a much needed boost.

But every artist, heck every person, goes through their challenging times. I’ve known many talented people who’ve wondered if they’ll ever work again. And I guess you could say I wondered that myself. I hit many auditions and get many encouraging nods, but sometimes I feel like a young Liza Minnelli singing, “All I Need Is One Good Break…”
So as I went through my buried treasures (inadvertently, mind you - remember, this was a spring cleaning expedition), I recognized that, Yes, I can do it. I’ve DONE it! I’ve been making my dreams come true since I was a little girl and wanted to sing professionally and ended up onstage in Annie at The San Bernadino Civic Light Opera.


And in perfect unison, they all looked at me, and said, “Well, except for Laura. You know that’s where she belongs.”
And it made me smile because I know it’s true.
So many of the folks I’ve worked with or am working with right now are making their Broadway debuts, and it’s thrilling to see.
And I feel so good about the work I’ve been doing, the studies, the growth… it’s all building up to something spectacular.
Still, it’s nice to look back and see where I’ve been. It helps remind me as I take that next step forward that dreams really do come true.
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